MAŁGORZATA GOROL

"I have to feel the adrenaline..."

Grzegorz Ćwiertniewicz: The lady's acting career began quite early. As early as 2007, she appeared in "Balladyna" directed by Jerzy Głybina in an acting studio at the Silesian Theatre in Katowice...

Małgorzata Gorol: A lot of time took me to the theatre school. I decided to get there quickly, but the road turned out to be winding... To the State Academy of Theatre in Cracow, to which I wanted to get the most, I four years after school...

Is this study was a lady for theatre school exams?

In total, I had twelve pre-exams. I wanted to be in the meantime to get in touch with the theatre to prepare for the best. That's why I went to this study of acting. We had the opportunity to statystowania in performances, but also to take part in diplomas of older yearbooks.

In 2008, she appeared as Julia in "Mateczce" by Władysław Terlecki directed by Andrzej Majczaka, a presentation, which was exhibited on the boards of the Silesian Theatre in Katowice...

I was a second year of study... Majczak directed a diploma of the third year. The roles were more than people, so he had to pick someone up. He came to our exams from the scenes and then offered to participate in "Mateczce" me and my colleague-Cuba Krawczyk. It was a fantastic adventure. It turned out that the spectacle liked so much that it was played again by the next season, and I already got to the theatre school. So I played at the Silesian Theatre, being the first year of study.

The next question may seem trivial, but in fact it is very important. Why wanted you study acting?

This question is not trivial. This question is difficult... I knew quite early that I wanted to become an actress. I worked on it all the time. In childhood, I stunted artistic gymnastics throughout the week. From an early age I was still in a rhythm. At the moment I stopped, I began to feel a huge emptiness. Yes-emptiness! I wanted to have where to discharge energy, to have some other life outside the proper, everyday. I started to walk on all possible additional activities: theatrical, capoeira, karate, plastic. Some of them eliminated. They were theatrical. From the eleventh year of life, without a break, I'm tied to all sorts of so-called. Theatre activity.

And why did you decide to have dramatic acting?

And why not?! I at the Faculty of Dance Theatre, which I did not get, and with the singers did not make sense to compete. So seriously-this wanted the most. While acting dramatic, I draw from the body. Kreuję all the time to wysportowaną actress. Of course, with a pinch of distance!

In the meantime, you also performed in the performances of Krakow Academy. What experience did you have in preparing for university performances?

A theatre school can teach a workshop, a craft, but rather not guide a young man. We learn to work as an actor after leaving the walls of the school. I've learned a lot in theatre school. But it all depends on the educators. You can have bad luck and hit on those baddies. I was lucky to be a great lecturer. I do not remember the classes on which marnowalibyśmy time. Because I studied in Cracow, I had contact with young directors (in Academy is also the department of directing). So we played very much, outside of your session, in the Director's session. The result was a very interesting meeting.

And who educators with academy influenced first of all on the lady's development and acting consciousness?

I am hard to answer this question, because I to recall very many names, and I would not want to miss anyone. When I was studying for the third year and when I was already talking about a certain stage of consciousness, the most important educator was Roman Gancarczyk. We did together "Sallingera" Koltèsa. It was probably the most conscious work. This is a unique educator. It was a great talk with him about acting. It is a teacher who did not judge us, did not say whether we played well or wrong. This conversation was not at all. He gave us a lot of freedom! I took the most of it. I was very impressed by the workshop with Krystian magnifying glass.

The first stage steps put the lady in Katowice and Cracow. So why not she a lady with a local theatre and came to Wroclaw?

It became happy! Another thing is, what a young actor wants and another-what is the possibility after finishing school. I had happiness and opportunity! I dreamed of Polish theatre in Wrocław. In Katowice I have a lot of familiarity and a lot of love, so I would be very pleased to play something. This is not precluded at all. The Wrocław Polish theatre was not so well known. It's a theater that you hear a lot of who you appreciate. Cracow has a similar situation to Wrocław. It also has its own university and a great T